I am now in my sixties and drawing comics again has rejuvenated me. It is not only that I am doing the kind of work I did in my youth, but that I am directing my mind to think along the same lines that it did back then. [...] To do creative work is good for the soul. As long as you have an enthusiasm, you have happiness.
When you create anything, the spirit you create it with, the energy, the excitement, is translated into the product itself. So when somebody writes a book just for money, you can kind of smell it. When you read the book, it kind of reeks. We can sense that. But when the writer is excited, it excites the reader. So the love and the desire you put into your project will translate.
Everybody is brought up with the idea that you need to make great art. But most of the things that I listen to and I really love is very modest art. Like, even if you think of library music, it’s not made to be art. It’s made to be used for commercials. But there’s so much love in the craft that it becomes amazing. And it’s very modest. I think this struggle is a good thing to go back to, and retreat from. It makes you progress. Even if you’re not going to make the greatest record or write the greatest novel, the process of doing it helps you progress.
[Arnold Bennet] suggests that we use the evenings for learning. About what? It doesn’t matter, really. But you should spend your time learning about something. [...] The point is that you spend your time learning about something you’re interested in so that you experience it more deeply.
[...]
Bennet has a few words of caution for us.
First, he recommends that we start small. With a small amount of time and small expectations. Don’t try to apply this every day of the week. Give yourself a window of an hour for thirty minutes of reflection; expect interruptions and distractions.
Next, he recommends that we don’t become too strict about our regimen. The idea is for the learning and reflection to serve our life, not for our life to serve the regimen.
With anything that improves life, we have to avoid becoming a snob about it. There may be reasons that it doesn’t work for everyone, or why they can’t implement it. Improving ourselves is enough work already — there’s no need to worry about improving everyone else.
Finally, we should be cautious of failure at the beginning. Learning of a way to improve one's life can come with a strong motivation that disappears quickly when things get tough. Be careful not to overdo things.
I like telling a story without dialog. It forces the reader to fill in what’s happening, and as long as the narrative is clear I think the reader gets satisfaction from that. I’ve heard it said that a humorous story always leaves out a key element that the audience must fill in, and the satisfaction of making that connection – “getting it” – provokes the laugh. Omitting dialog is one way to force the reader to fill in the blanks.