A pretty humdrum week, this one: experimenting with drawing, finished a sketchbook page, read some cool interviews with creative people.
Still experimenting with comics. Never found a good groove for taking drawings beyond roughs and sketches, except inking right over them or doing it digitally. The final drawings often seem to lose something in the process, making me like them a lot less than the initial scratchings. Digital drafts can be cool, but it’s hard to avoid losing the hand-drawn quality I’m after.
Went old-school this week, using transparent paper to ink a test panel. First one out was using a technical pen (my trusted Sakura Micron 02) and drawing at 1:1 scale.
Trying to find some sort of new style, so next up is enlarging the sketches to 1,5x or 2x their size, then ink’em with a brush pen as well as the Micron. Heck, I might even bring out the old dip pen while I’m at it! To be continued, in any case.
Forever fascinated with vertical towns, this thing materialized in my sketchbook. Feels unfinished, somehow – it needs some kind of flying machine front and center, ideally swooping down from above.
Nick Offerman interview
Just found out about Ars Technica’s YouTube series about making games, called War Stories. Loved the episode about Myst, with creator Rand Miller talking about the process and a few multimedia-age technical hurdles.
Great interview with director Robert Eggers about his film “The Lighthouse” (2019).
The atmosphere comes first. The period came when I started to do a little bit of research. I wanted to make a lighthouse movie and I assumed that I was going to set it in the 19th century. I was thinking the 1820s or 1840s might be interesting because I like that period aesthetic – it’s a little bit less industrial.
But I wanted to have the foghorn and I wanted to have the Fresnel lens [an invention allowing light from a lighthouse to be visible over greater distances] in the story, so that was going to place me in the 1890s. Those things were too iconic and important. That foghorn just says ‘lighthouse’, while the Fresnel lens is a gorgeous thing… it almost looks like a spaceship. There’s got to be a mystery in there.
The headline makes it sound like another “turn off your facebooks” article, but it’s a fascinating interview with Susan J. Matt about how we’ve talked about and related to boredom over the last couple of centuries.
Unfilled moments, moments where you don’t have entertainment, or moments where you don’t have companionship, may actually spawn creativity. Certainly a lot of 19th-century romantics thought that.
Being still with yourself can give access to all sorts of ideas and musings that wouldn’t otherwise occur. So perhaps in our quest to end boredom our creativity is being stunted, and we’re actually becoming more boring.